The Crucible (Paperback)
A haunting examination of groupthink and mass hysteria in a rural community
"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote in an introduction to "The Crucible," his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria.
In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence.
Written in 1953, "The Crucible" is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing: "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence."
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About the Author
Arthur Miller was one of the most acclaimed and influential playwrights of the twentieth century, whose notable works include The Crucible, Death of a Salesman, A View From The Bridge and All My Sons, all of which are available in full cast recordings from L.A. Theatre Works.
Christopher Bigsby is Professor of American Studies at the University of East Anglia and has published more than twenty-five books covering American theatre, popular culture and British drama, including Modern American Drama, 1945 1990 (Cambridge University Press, 2000), and Contemporary American Playwrights (Cambridge University Press, 2000). He is editor of The Cambridge Companion to Arthur Miller and coeditor, with Don Wilmeth, of The Cambridge History of American Theatre. He is also an award-winning novelist and regular radio and television broadcaster.