Simple, yet remarkably true, I’d say....Read More
It seems to me that all works of fiction and narrative nonfiction are broadly made up of four experiential elements: story, character, setting, and language. I call these “doorways,” because when we open a book, read the first few pages, and choose to go on, we enter the world of that book. And I’ve come to believe we can help readers better choose their next book by looking at the proportion of these four elements.
A book with story as its biggest doorway is one that readers describe as a page-turner, a book that they can’t put down because they desperately want to discover what happens next.
A book with character as its biggest doorway is a book in which readers feel so connected with the characters that when the book is over they feel they’ve lost someone dear to them.
Readers of novels in which setting is most prominent say things like “I felt like I was there,” or, as one man told me, “When I finished Willa Cather’s Death Comes for the Archbishop, I immediately made plans to go to New Mexico—I had to see for myself where it took place.”
A book in which language is the major doorway leads readers to utter sentences like “I read more slowly because I wanted to savor the language” or “I’m not even sure what the book is about, but I loved the way the author wrote.”