You are here

The Last of the Light: About Twilight (Paperback)

The Last of the Light: About Twilight Cover Image
$22.50
Usually Available in 1-5 Days

Description


Neither day nor night, twilight has long exerted a fascination for Western artists, thinkers, and writers, while haunting the Romantics and intriguing philosophers and scientists. In The Last of the Light, Peter Davidson takes readers through our culture’s long engagement with the concept of twilight—from the melancholy of smoky English autumn evenings to the midnight sun of northern European summers and beyond. Taking in poets and painters, Victorians and Romans, city and countryside, and deftly combining memoir, literature, philosophy, and art history, Davidson shows how the atmospheric shadows and the in-between nature of twilight has fired the imagination and generated works of incredible beauty, mystery, and romance. Ambitious and brilliantly executed, this is the perfect book for the bedside table, richly rewarding and endlessly thought-provoking.

About the Author


Peter Davidson is fellow of Campion Hall at the University of Oxford. He is the author of a book of essays about northern culture, Distance and Memory, and a collection of verse, The Palace of Oblivion.

Praise For…


The Last of the Light is both a celebration of and inquiry into the significance of temperature and skies, especially at this time of year, when we are in the twilight of the seasons. . . . Davidson takes us to places that are vast and lovely as well as somehow underlit and shadowy, where a kind of emptiness and uncertainty prevails. . . . He loves the lost, the fading, the ‘fugitive’ as Robert Macfarlane, in his Landmarks, quoted Davidson’s word back to him. Here exactly is the tone and spirit of this book, ideas illuminated on the pages—and in illustrations and colour plates—which encourage our eyesight to become acute in the way it is at the end of the day, seeing everything so clearly before it falls back into shadow, for now ‘one last hour, one hour more.’”

— Kirsty Gunn

“Davidson’s intricate meditation on twilight in European art and literature . . . is at once richly satisfying and as elusive as a ghost. . . . Like all good writers, he reveals the sheer strangeness of much that our eyes usually slide over.”
 

— Literary Review

“Davidson enters the twilight zone, tracing the crepuscular in science, psychology, history, and the arts. Considering the 60th parallel north, around which ‘long evenings and protracted sunsets stretch,’ Davidson probes aspects of this transitional state, including visual perception during the stages of twilight (civil, nautical, and astronomical); dusk as a metaphor for crisis in Charles Dickens’s Bleak House; the proliferation of gilt and mirrors in the murky pre-electric era; and the poet Gerard Manley Hopkins’ observations of anti-crepuscular rays.”

— Nature

“And one wanted, since it’s not dark yet: a history of twilight—Peter Davidson’s The Last of the Light.”

— Tim Dee

“For Christmas, I’d like Peter Davidson’s The Last of the Light: About Twilight.”

— Alexander McCall

“This is simply one of the best books I have ever read.”
 

— Clifford Cunningham

“These days, you’d expect an author just to google ‘twilight’ and pile up everything he finds. Not Davidson; this is a deep and personal meditation, and while some references, particularly to painters, might be obvious—Atkinson Grimshaw, Caspar David Friedrich, Whistler—most are not. . . . Davidson ranges right across the disciplines in his search for allusions, citing Ruskin, Rilke, Chopin, Kant, and Vanbrugh along the way. The result is revealing, poetic, and (unavoidably) illuminating. As a bonus, the book is beautifully and copiously illustrated.”

— Independent

“What a treasure trove this book is. . . . Davidson’s beautiful and scholarly chapters are an exploration of a passion for twilight . . . beautiful and deeply nostalgic . . . Davidson has given twilight the shrine it deserves.”

— Adam Nicolso

The Last of the Light is as much a memoir as it is a more systematic attempt to catalogue the aesthetics of twilight since at least the Renaissance. . . . Davidson is a discriminating and perceptive guide to the myriad ways in which twilight, in its various forms and at different seasons, ‘silvers everything’; and he evokes the ‘other-worldliness’ of evening with a poet’s sensitivity. . . . Itis an impressively ecumenical survey of the poetics and aesthetics of twilight, which canonizes hundreds of writers. . . . Peter Davidson’s lyrical prose… dissolves the distinctions between memoir and criticism in a soft haze. His style is deliberately impressionistic.”

— Matthew Beaumont

“Davidson’s twilight writing comes across as something of a barometer for time of day, for twilight. His acute eye, registering tiny gradations of light and tone, shares common ground with the contemporary English environmental observers . . . Richard Mabey, Robert Macfarlane, Tim Dee—as well as with the ethos that informs Geoffrey Hill’s poetry. Davidson’s is a bravely unfashionable book, its cadences relentlessly slow. . . . Belatedness, as Davidson shows us, is the very essence of dusk, of the melancholy light of the fallen world.”

 

— Public Books


Product Details
ISBN: 9781780238272
ISBN-10: 1780238274
Publisher: Reaktion Books
Publication Date: September 15th, 2017
Pages: 280
Language: English